I’ll start talking a bit about this effect which is mainly used for vocal harmonizing. Given an input voice (or whatever) as output you obtain (how many as you want) automatic harmonic related voices (a minor/major third, a fifth, a sixth or any musical interval you want).
This implementation, is mainly based on many SMS pitch-shiftings (one for each voice) and a control gain for each one. Pitch controls are based on equal-tempered scale semitones, following 
relation for each voice.
This was my first version of the network:
Testing it, my voice never sounded so musical, hehehe… but still awful, so I was thinking in your ears health and demos are with Elvis one 
Disclaimer: all audio demos are early testing versions (still with artifacts and clicks that should be removed soon)
Elvis harmonized demo: elvis-harmonized.ogg (to hear the online/streaming version go here)
Prototype:
Configuration:
Note: demos were done without residual processing because adding residual does not improve results much and adds a lot of overhead.
Then, following xamat‘s suggestions I also added a detunning effect (and delay, but this one isn’t working properly yet)
Elvis harmonized (detunned version) demo: elvis-harmonized-detunned.ogg (to hear the online/streaming version go here)
but wait! a lot of graphics and this is also a ‘coding’ blog!!! here you have some code… and btw you can see that programming under CLAM could be very easy once you get the basics…
const Fundamental& inFund,
const Spectrum& inSpectrum,
SpectralPeakArray& outPeaks,
Fundamental& outFund,
Spectrum& outSpectrum
)
{
outPeaks = inPeaks;
outFund = inFund;
outSpectrum = inSpectrum;
TData gain0 = mInputVoiceGain.GetLastValue();
mSinusoidalGain.GetInControl("Gain").DoControl(gain0);
mSinusoidalGain.Do(outPeaks,outPeaks);
SpectralPeakArray mtmpPeaks;
Fundamental mtmpFund;
Spectrum mtmpSpectrum;
for (int i=0; i < mVoicesPitch.Size(); i++)
{
TData gain = mVoicesGain[i].GetLastValue();
if (gain<0.01) //means voice OFF
continue;
TData amount = mVoicesPitch[i].GetLastValue() + frand()*mVoicesDetuningAmount[i].GetLastValue(); //detuning
amount = CLAM_pow( 2., amount/12. ); //adjust to equal-tempered scale semitones
mPitchShift.GetInControl("PitchSteps").DoControl(amount);
mPitchShift.Do( inPeaks,
inFund,
inSpectrum,
mtmpPeaks,
mtmpFund,
mtmpSpectrum);
mSinusoidalGain.GetInControl("Gain").DoControl(gain);
mSinusoidalGain.Do(mtmpPeaks,mtmpPeaks);
TData delay = mVoicesDelay[i].GetLastValue();
if (delay>0.)
{
mPeaksDelay.GetInControl("Delay Control").DoControl(delay);
mPeaksDelay.Do(mtmpPeaks, mtmpPeaks);
}
outPeaks = outPeaks + mtmpPeaks;
if (!mIgnoreResidual)
mSpectrumAdder.Do(outSpectrum, mtmpSpectrum, outSpectrum);
}
return true;
}
The plan includes add MIDI control for each voice pitch (then will be easy to control them for example by a keyboard by the same singing person)
Next post: SMSMorph.
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Cool effects
I actually even like the high-pitched noise, sounds almost like a wah-wah guitar (or is that effect I\’m thinking about called somethign different…? hmm…)
Now I wish my project had some possibility of interesting audio output… the only way I could post some audio output for my project would be to make a processing adding a voice speaking the recognized chord, like:
we could maybe synthesize the voice (Abe\’s working on a vowel synthesizer, no?), harmonize it with the tones in the chord so that it was actually the chord being spoken, and add a nice video maybe showing some of Bennett\’s widgets… ;-P)
DMajor have made my EMinor Complete… heh, not the same thing
(I\’ll think about this idea though
Oh boy, I got carried away
Anyway – nice work!